Beyond the generously thick head of hair ChatGPT gave me, I have a couple of questions about these increasingly-sophisticated AI-generated images.

Is this a tool we can use, or a threat to the work we do?

Letโ€™s start with the commercial question. Can AI-generated images be used in a business setting?

Technically yes, but there are limitations. Most AI-generated images cannot be copyrighted because they lack the required level of human authorship. And because the source material used to train many AI models is unclear or legally ambiguous, using these images in production carries potential IP risk. For enterprise or brand-savvy clients, this is a red flag. For smaller businesses, perhaps less so.

That said, AI already has a clear place in creative workflows:

๐—ฅ๐—ฎ๐—ฝ๐—ถ๐—ฑ ๐—ถ๐—ฑ๐—ฒ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: AI is excellent for visualising quick ideas or concept directions, particularly when presenting to non-design stakeholders who need to see ideas to understand them.

๐—”๐˜€๐˜€๐—ฒ๐˜ ๐—ฒ๐—ฑ๐—ถ๐˜๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐—ฒ๐—ป๐—ต๐—ฎ๐—ป๐—ฐ๐—ฒ๐—บ๐—ฒ๐—ป๐˜: Designers can use AI to extend backgrounds, remove unwanted elements, or adapt compositions for different formats, particularly helpful when working with copyrighted assets in a controlled environment.

According to a 2024 Adobe survey, ๐Ÿฒ๐Ÿญ% ๐—ผ๐—ณ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ๐˜€ ๐—ต๐—ฎ๐˜ƒ๐—ฒ ๐—ฎ๐—น๐—ฟ๐—ฒ๐—ฎ๐—ฑ๐˜† ๐˜€๐˜๐—ฎ๐—ฟ๐˜๐—ฒ๐—ฑ ๐˜‚๐˜€๐—ถ๐—ป๐—ด ๐—ด๐—ฒ๐—ป๐—ฒ๐—ฟ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—”๐—œ ๐˜๐—ผ๐—ผ๐—น๐˜€, mainly for inspiration and content iteration. This isnโ€™t fringe anymore, itโ€™s mainstream.

๐—•๐˜‚๐˜ ๐˜„๐—ต๐—ฎ๐˜ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐—ท๐—ผ๐—ฏ๐˜€?

Right now, AI outputs are typically flat, rasterised images. Thatโ€™s a big limitation. Real production work often demands nicely-labeled, layered, editable source files (Photoshop, Illustrator, etc), something AI canโ€™t consistently deliver yet.

Still, weโ€™re likely not far off. Once AI can generate editable files with labelled, nested layers, it may reduce the need for junior designers who typically handle that foundational work.

And this presents a long-term challenge: ๐—œ๐—ณ ๐—ณ๐—ฒ๐˜„๐—ฒ๐—ฟ ๐—ท๐˜‚๐—ป๐—ถ๐—ผ๐—ฟ ๐—ฟ๐—ผ๐—น๐—ฒ๐˜€ ๐—ฒ๐˜…๐—ถ๐˜€๐˜, ๐—ต๐—ผ๐˜„ ๐˜„๐—ถ๐—น๐—น ๐˜๐—ต๐—ฒ ๐—ป๐—ฒ๐˜…๐˜ ๐—ด๐—ฒ๐—ป๐—ฒ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐˜€๐—ฒ๐—ป๐—ถ๐—ผ๐—ฟ ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฟ๐˜€ ๐—ฏ๐—ฒ ๐—ป๐˜‚๐—ฟ๐˜๐˜‚๐—ฟ๐—ฒ๐—ฑ? After all, you donโ€™t wake up one day as a creative director. You grow into itโ€”with mentorship, practice, and opportunity.

Here’s the good news: ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป ๐—ต๐—ฎ๐˜€ ๐—ฎ๐—น๐˜„๐—ฎ๐˜†๐˜€ ๐—ฒ๐˜ƒ๐—ผ๐—น๐˜ƒ๐—ฒ๐—ฑ ๐˜„๐—ถ๐˜๐—ต ๐˜๐—ฒ๐—ฐ๐—ต๐—ป๐—ผ๐—น๐—ผ๐—ด๐˜†. The shift from paste-up boards to desktop publishing, from Flash to responsive design, each new wave created both fear and opportunity. And in every case, the designers who thrived werenโ€™t the ones who resisted change, but the ones who leaned into it.

So yes, AI will change how we work. But it wonโ€™t replace the value of human creativity, judgment, or storytelling. The question isnโ€™t whether AI will impact your job, but ๐—ต๐—ผ๐˜„ ๐˜„๐—ฒ๐—น๐—น ๐—ฎ๐—ป๐—ฑ ๐—ต๐—ผ๐˜„ ๐—พ๐˜‚๐—ถ๐—ฐ๐—ธ๐—น๐˜† ๐˜†๐—ผ๐˜‚ ๐—ฐ๐—ฎ๐—ป ๐—ถ๐—ป๐˜๐—ฒ๐—ด๐—ฟ๐—ฎ๐˜๐—ฒ ๐—ถ๐˜ ๐—ถ๐—ป๐˜๐—ผ ๐˜†๐—ผ๐˜‚๐—ฟ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐—ฐ๐—ฒ๐˜€๐˜€.